![]() ![]() And I thought the worlds that get created – the real world and then this underworld – would be attractive to them, and it was.' After reading Kolstad's script, Stahelski and Leitch, told Reeves they wanted to tell the story of John Wick, as they both had a desire to get involved with a project as directors. I immediately thought of Chad and Dave for the action design, but I was secretly hoping they'd want to direct it.' he then added, 'I knew that they would love the genre and I knew that they would love John Wick. Reeves admired Stahelski and Leitch's work performing, choreographing and coordinating, stating that, 'When I got the script. However, Iwanyk was of the belief that this was irrelevant and bent the original vision ever so slightly, stating, 'Instead, we decided to look for someone who is not literally older, but who has a seasoned history in the film world.' ĭuring story discussions for John Wick, Reeves contacted Chad Stahelski and David Leitch, who he originally met on the set of The Matrix, to see if they were interested in choreographing or directing the action of the piece. In the original script, the character of John Wick was written with 'a man in his mid-sixties' to play the role, given the title character's fabled reputation as a revered and respected assassin. After Thunder Road had optioned the script, Kolstad spent additional months rewriting the script with them. ![]() When Basil Iwanyk, head of Thunder Road Pictures, had first read Kolstad's original screenplay, he was immediately drawn to the main character of Wick, stating, 'The tone of the script was subversive and really fun.' He also admired the emotional weight and action theme of the piece. On December 3, 2012, it was announced that Thunder Road Pictures had bought the script with discretionary funds, with Kolstad agreeing due to Thunder Road's plan to make the film straight away. ![]()
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